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The Peripheral (The Jackpot Trilogy Book 1) Kindle Edition

4.4 out of 5 stars 11,356 ratings

The New York Times bestselling author of Neuromancer and Agency presents a fast-paced sci-fi thriller that takes a terrifying look into the future.

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Flynne Fisher lives down a country road, in a rural America where jobs are scarce, unless you count illegal drug manufacture, which she’s trying to avoid. Her brother Burton lives on money from the Veterans Administration, for neurological damage suffered in the Marines’ elite Haptic Recon unit. Flynne earns what she can by assembling product at the local 3D printshop. She made more as a combat scout in an online game, playing for a rich man, but she’s had to let the shooter games go.

Wilf Netherton lives in London, seventy-some years later, on the far side of decades of slow-motion apocalypse. Things are pretty good now, for the haves, and there aren’t many have-nots left. Wilf, a high-powered publicist and celebrity-minder, fancies himself a romantic misfit, in a society where reaching into the past is just another hobby. 

Burton’s been moonlighting online, secretly working security in some game prototype, a virtual world that looks vaguely like London, but a lot weirder. He’s got Flynne taking over shifts, promised her the game’s not a shooter. Still, the crime she witnesses there is plenty bad.

Flynne and Wilf are about to meet one another. Her world will be altered utterly, irrevocably, and Wilf’s, for all its decadence and power, will learn that some of these third-world types from the past can be badass.
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Editorial Reviews

Review

“William Gibson’s science fiction is so eerily prophetic that sometimes it seems as if he’s creating the future, not just imagining it.”—The New York Times

Praise for
The Peripheral

“Spectacular, a piece of trenchant, far-future speculation that features all the eyeball kicks of
Neuromancer and all the maturity and sly wit of Spook Country. It’s brilliant.”—Cory Doctorow

“From page one,
The Peripheral ticks and sings with the same controlled, dark energy and effortless grace of language....Like the best of Gibson’s early, groundbreaking work, it offers up the same kind of chewy, tactile future that you can taste and smell and feel on your skin; that you believe, immediately, like some impossible documentary, because the thing that Gibson has always been best at is offering up futures haunted by the past.”—NPR

“[Gibson is] revered not just as a unique and brilliantly talented SF novelist but a social and psychological visionary....[
The Peripheral] creates a future that is astoundingly inventive and frighteningly plausible....A wonderful addition to a brilliant oeuvre.”—The Sunday Times (UK)

“Gibson's characters are intensely real, and Flynne is a clever, compelling, stereotype-defying, unhesitating protagonist who makes this novel a standout.”—
Publishers Weekly

The Peripheral is one of [Gibson's] most sophisticated attention-management machines, a culmination of his career, both a return to old themes and a step forward, and his most sustained experiment in helping us, even if only for a moment, see the world with new eyes.”—Los Angeles Review of Books

“No one writes better about the near future than Gibson.”—
The Washington Post

“Like any really well-designed thrill ride of mystery tour (or sonnet or string quartet), as soon as you get off, you want to get right on for another go-round.”—
Locus

More Praise for William Gibson

“His eye for the eerie in the everyday still lends events an otherworldly sheen.”—
The New Yorker

“Like Pynchon and DeLillo, Gibson excels at pinpointing the hidden forces that shape our world.”—
Details

“William Gibson can craft sentences of uncanny beauty, and he is a great poet of crowds.”—
San Francisco Chronicle Book Review

“Gibson’s radar is deftly tuned to the changes in the culture that many of us are missing.”—
Milwaukee Journal Sentinel

About the Author

William Gibson’s first novel, Neuromancer, won the Hugo Award, the Philip K. Dick Memorial Award, and the Nebula Award in 1984. He is also the New York Times bestselling author of Count Zero, Mona Lisa Overdrive, Burning Chrome, Virtual Light, Idoru, All Tomorrow’s Parties, Pattern Recognition, Spook Country, Zero History, Distrust That Particular Flavor, and The Peripheral. He lives in Vancouver, British Columbia, with his wife.

Product details

  • ASIN ‏ : ‎ B00INIXKV2
  • Publisher ‏ : ‎ Berkley
  • Accessibility ‏ : ‎ Learn more
  • Publication date ‏ : ‎ October 28, 2014
  • Language ‏ : ‎ English
  • File size ‏ : ‎ 1.6 MB
  • Screen Reader ‏ : ‎ Supported
  • Enhanced typesetting ‏ : ‎ Enabled
  • X-Ray ‏ : ‎ Enabled
  • Word Wise ‏ : ‎ Enabled
  • Print length ‏ : ‎ 498 pages
  • ISBN-13 ‏ : ‎ 978-0698170704
  • Page Flip ‏ : ‎ Enabled
  • Book 1 of 2 ‏ : ‎ The Jackpot Trilogy
  • Customer Reviews:
    4.4 out of 5 stars 11,356 ratings

About the author

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William Gibson
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William Gibson is the award-winning author of Neuromancer, Mona Lisa Overdrive, The Difference Engine, with Bruce Sterling, Virtual Light, Idoru, All Tomorrow's Parties and Pattern Recognition. William Gibson lives in Vancouver, Canada. His latest novel, published by Penguin, is Spook Country (2007).

Customer reviews

4.4 out of 5 stars
11,356 global ratings

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Customers say

Customers find this book a satisfying read with rich, real characters and an intelligent storyline, particularly appreciating its interesting view of time travel and linkages between past and future. The writing quality receives mixed feedback, with some praising the crisp prose while others find it very difficult to understand. The pace is also mixed, with some describing it as fast-paced while others say it takes too long to get going.

AI-generated from the text of customer reviews

488 customers mention "Readability"436 positive52 negative

Customers find the book highly readable, describing it as a fantastic and fun read, with one customer noting they can enjoy each scene.

"...I absolutely loved ANATHEM by Neal Stephenson, although I generally don't read his books because they are monstrous doorstops that I don't have time..." Read more

"...you force yourself through the first half of the book you find a compelling story. Hats off to the writers, producers, and directors of the show...." Read more

"...kind of made Gibson's stuff moody, haunting, and ultimately very fulfilling reading for me...." Read more

"...Because the initial setup to Gibson’s story is itself so good that’s it’s better than most books out there. Now I’ve finished it, and if you..." Read more

279 customers mention "Plot quality"203 positive76 negative

Customers appreciate the plot of the book, describing it as intelligent and solid, with one customer highlighting its engaging interlocking set of now and future mysteries and twists, while another notes how it takes advantage of serious science fiction elements.

"...I'll tell you what - this is a really cool story with some really neat concepts...." Read more

"There is nothing better than intelligent and challenging science-fiction novel but reading this is like cracking the Enigma Code many times...." Read more

"...So he has remarkable sympathy for those square-peg-round-hole drones who get caught up in things larger than themselves, especially those who've had..." Read more

"...The series lacks the depth of plot and while many characters are carried over, the plot deviates quite a bit...." Read more

195 customers mention "Character development"143 positive52 negative

Customers appreciate the character development in the book, noting that the protagonists are solid and the viewpoint characters are written extremely well, with one customer highlighting the author's ability to paint engaging characters and settings.

"...Lorelei King was magnificent. She handled the voices of the different characters terrifically, in my opinion...." Read more

"...been so expertly, specifically, and hauntingly able to describe the nostalgia of anachronistic characters and to chart the narratives of those..." Read more

"I found the book hard to get into and the many characters hard to follow. I'd left the book unfinished for more than a year for that reason...." Read more

"...and more women over the course of his career and deepened their characters to full realism, but his casts tend to the masculine regardless of gender...." Read more

81 customers mention "Time travel"77 positive4 negative

Customers enjoy the time travel elements in the book, appreciating its interesting view and linkages between past and future timelines.

"...Some portions of the farther-future timeline are compelling, like the Medici, and gratifyingly unsettling, like the Pacific garbage-patch world and..." Read more

"...It's more about leveraging modern concepts--things we know and in some cases may not without a quick Google search--and using the analogy to fill in..." Read more

"...She's pragmatic, defining telepresence in very practical terms: getting a haircut...." Read more

"...Each insightful at a minimum and some of them outright prophetic, but none ever again quite so engrossing...." Read more

59 customers mention "Intelligence"59 positive0 negative

Customers praise the book's intelligence, finding it visionary and insightful, with one customer comparing it favorably to Neuromancer.

"...a William Gibson science fiction novel. Gibson is unique, a true visionary, a major first poet and creator of both the cyberpunk genre and..." Read more

"...swept into the poetry of his wordsmithing and edginess of his entrancing creative vision...." Read more

"...all: you can enjoy each scene, and the characters and world-building are more than satisfying." Read more

"...Brilliant...compelling...well-written, every one of them. Each insightful at a minimum and some of them outright prophetic, but none ever again..." Read more

40 customers mention "Style"40 positive0 negative

Customers appreciate the author's writing style, describing it as classic and perennially wonderful, with one customer noting it's not too baroque.

"...It's an interesting artistic decision, at odds with commercial success...." Read more

"...Gibson being Gibson, these characters are well-drawn, quirky, and authentic - although bewilderingly diverse...." Read more

"...The following eight science fiction books are, without par, so original and visionary that they easily win five stars using pretty much any applied..." Read more

"...A new classic, from arguably the best SF writer -- maybe the best writer, period -- of our generation." Read more

427 customers mention "Writing quality"237 positive190 negative

Customers have mixed opinions about the writing quality of the book, with some praising its incredible creativity and crisp prose, while others find it not an easy read at all.

"...I'll tell you what - this is a really cool story with some really neat concepts...." Read more

"...Overall, great book for a slow undistracted read. Not for casual reading. The Silmarillion was an easier read!!!" Read more

"...to Gibson from Samuel R. Delany, another unique stylist, writer of uncanny sentences, and one of the first presenters of the cyber trope of “jacking..." Read more

"...If you enjoy reading his prose, always tight, imaginative, and multi-sensory, you feel as if you've been admitted into a fairly exclusive club --..." Read more

65 customers mention "Pace"36 positive29 negative

Customers have mixed opinions about the pacing of the book, with some praising its brilliant and fast plot, while others find it very slow to get going and take too long to develop.

"...away and the reader figures out the basics, the story moves along at a pretty good pace, and is a good read. The conclusion was, for me, satisfying...." Read more

"The book starts slowly and in a confusing manner. I expected that from other reviews but plowed on as I have been a long time fan of Gibson...." Read more

"..."The Peripheral" begins beautifully, rushing at you like a bull out of the gate...." Read more

"...The shortcoming here was that it took WAAAYYY too long to make the start of the novel comprehensible...." Read more

Gibson reminds us why he is still relevant
5 out of 5 stars
Gibson reminds us why he is still relevant
Just finished "The Peripheral" by William Gibson. In this book, we see not so much a return to the heavy cyberpunk and action of his earlier works, but more a synthesis of that with his more recent, slow burn, near future work. Gibson reminds us that he is the master of nigh-prophetic speculative fiction as he brilliantly weaves for us a world in which technology has radically changed humankind, without using boring data dumps. He plays with prose, cracking the rules as easily as a hacker breaks ICE. Almost poetic and dream like, he tells the story of Flynn, a young girl in our near future who gets sucked into events larger and weirder than she could ever imagine. The ending was a surprise, and a pleasant one at that. Highly recommended
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Top reviews from the United States

  • Reviewed in the United States on May 9, 2015
    I have a confession to make. I've never read NEUROMANCER. I was one of those who had to be pulled kicking and screaming into the cyberpunk era. I didn't want to read cyberpunk at all. Not only didn't I read NEUROMANCER, but I didn't read the other really big cyberpunk novel of the day, Neal Stephenson's SNOW CRASH. I wanted my space ships, I wanted my aliens, I wanted my galactic space opera. What the heck was this cyberpunk stuff, and why was it getting in my science fiction?

    I swore I was never going to like cyberpunk. I read Gibson's COUNT ZERO and VIRUAL LIGHT. I read Stephenson's THE DIAMOND AGE. I decided I didn't like the style OR the subject matter. Heck, I even tried to read THE DIFFERENCE ENGINE, by both Sterling and Gibson, and I decided that steampunk (yes, that was steampunk, but no one seems to credit it that way these days, at least not that I hear) was a waste of my time too.

    That was 30 years ago. Times change. People change. Writers change. Genres change. I don't mind reading steampunk these days - I feel that some of it is really pretty good. I absolutely loved ANATHEM by Neal Stephenson, although I generally don't read his books because they are monstrous doorstops that I don't have time for.

    And I tried Gibson again.

    THE PERIPHERAL was being talked about on podcasts, in blogs, and everywhere else that I pay attention to in the field. It was getting good reviews, and it was being hailed as "Gibson's return to undeniable science fiction". I was dubious of that last statement, as I didn't think anything else he wrote was science fiction, so how can he return to it?

    But as I said, things change. And since this was the year I was going to get ahead of the game by reading novels that would assuredly be on the Hugo ballot, I figured I would give it a try (and as far as getting ahead of the game, well, we all know how THAT turned out).

    And wouldn't you know, I liked it.

    THE PERIPHERAL takes place in a not too distant future. Well, I should rephrase that. It takes place in two futures: one not too distant, and one a century or so further on. The near-ish future, in America, or some form of it, is a bit of a mess. There's the drug trade, an updated version of what the reader presumes is WalMart, and a very bleak economy. The further along future that we see is in London, after an event called The Jackpot had killed off a great portion of the world's population.

    We begin in the near future. Flynne lives with her brother Burton and her mother. Burton is a military veteran who suffers from trauma he suffered while serving in the U.S. Military. He is getting aid from the U.S. government because he's not supposed to be able to work. He has, however, found a job beta testing some video game software for a Colombian outfit called Coldiron. One day he goes off to be part of a protest group against a religious organization, and asks Flynne to cover for him on the job for a few days. His job in the game is that of security. He tells Flynne to keep an eye on a particular tower and fend off little nano-paparazzi type devices. However, on the second day of the job she witnesses a murder, and something doesn't seem quite right to her about it. And off we go into the story.

    THE PERIPHERAL is a murder mystery, pure and simple. Well, maybe not so pure and simple, since we *are* talking a) science fiction, and b) science fiction by William Gibson. It's probably not too much of a spoiler to say that the murder was in the future, a future life is also stark and bleak - never mind just a bit weird - due to The Jackpot. One of the devices that the future has is some sort of mysterious server, built by the Chinese (but never really visited in detail or explained at all in the book) that allows residents of that future to travel back and interact with various different pasts, which may or may not be their own past (It really is all a bit wonky but kind of cool. I didn't let myself get too distracted by the lack of details or even the not quite understanding of how pasts and that particular future relate. It was better that way.), call "stubs". People who do that are called "continua enthusiasts", and while in the novel we don't much deal with them, the people we deal with do have to go back to the past to try and figure out what they can about the murder that took place.

    I'll tell you what - this is a really cool story with some really neat concepts. While the idea of telling a story that takes place in two separate times is not new, the way of the two timelines interacting with each other is new - at least to me. Yeah, it's a bit of "hand-wavium", but hand-wavium is a time honored tradition in our field, and it is acceptable some times and not in others. I think it works well here. The future is populated with a bunch
    of interesting - at least to me - characters, including an investigator, Lowbeer, who reminds me a lot of Paula Myo from Peter F. Hamilton's novels.

    The novel is not without its faults, minor though they be. The first 100 pages or so (yes, I looked while I was listening to the audiobook) were a bit of a slog to get through. Gibson introduces new terminology that makes readers scratch their heads for awhile until they figure out just what it is he is talking about (although it could be argued that a science fiction reader, especially one who reads Gibson, should not only be used to it by now, but shouldn't need anything spelled out for them anyway), and it does take awhile to figure out that Gibson is switching back and forth between two timelines. However, once all that stuff is squared away and the reader figures out the basics, the story moves along at a pretty good pace, and is a good read. The conclusion was, for me, satisfying. Gibson wraps everything up fairly nicely with a little bow, which is something many writers don't do these days (although it can be argued that this is a standalone novel - for which I am grateful - and he darn well should tie things up nicely).

    As far as the narration goes, well, I didn't think anyone was going to top R.C. Bray, the narrator of THE MARTIAN. I was wrong. Lorelei King was magnificent. She handled the voices of the different characters terrifically, in my opinion. The pacing was terrific, and I loved the accent. She didn't intrude upon the story; rather, she enhanced it from the very beginning. I would hope I run across her in other audiobooks I listen to in the future.

    NEUROMANCER was one of those novels that comes along once a generation that changes the face of the field of science fiction, at least that's what I'm told. I will have to go back and read it, 30+ years after the fact. THE PERIPHERAL is not that kind of novel, but it doesn't have to be. It just is what it is - a terrific book.
    158 people found this helpful
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  • Reviewed in the United States on February 20, 2025
    There is nothing better than intelligent and challenging science-fiction novel but reading this is like cracking the Enigma Code many times. Once you force yourself through the first half of the book you find a compelling story. Hats off to the writers, producers, and directors of the show. Mr. Gibson really likes to keep the reader on their toes. I had to reread so many paragraphs just to decipher the plot points, many times there were none to be found. Overall, great book for a slow undistracted read. Not for casual reading. The Silmarillion was an easier read!!!
    One person found this helpful
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  • Reviewed in the United States on January 14, 2015
    If you've never read Gibson before, this is NOT the place to start.

    I remember the first time I read Neuromancer. Jeeze, like 30 years ago now. Reading Neuromancer and its often dense, cinematic prose often made me with for a glossary with the book, like there had been when I read my older brother's late 60s paperback copy of Anthony Burgess' A Clockwork Orange. But Burgess' was using Anglicized Russian as British English slang in that book -- you really needed the glossary.

    For Gibson, everything is written in English, so you get no glossary. You have to figure out the meanings of new/invented/esoteric terms from the context of the prose. Now, it's got it's confusing, hallucinatory aspects that make it akin to reading Burroughs sometimes (but without all the drugs and homosexual sex). But Burroughs' stuff also was frustrating to read because of the cut-up, disjointed narrative style. Gibson's stuff is far more tightly plotted and less hallucinatory.

    Figuring out the meanings of terms from the prose and context is less an issue in this novel than in some of Gibson's previous novels (like The Sprawl trilogy novels). But it is definitely much more of an issue here than it was with in the last three "Bigend" trillogy novels combined.

    I did not have a problem figuring out terms/actions from the context with this novel. For people who are already aware of topics as disparate but technologically reliant as social media's geolocation capabilities, social media mood indication/tracking, advancements in 3D printing, and concepts such as string/mbrane theories of physics (in a PBS TV kind of way) and possible parellel multiple universes, this book should not be difficult to read.

    For everyone else, yeah... it will be a problem.

    I recently had a friend -- who hadn't re-read any of Gibson's first 3-6 novels since she originally read them, 30-ish years ago -- complain about 3 things with respect to this book. I, however, recently re-acquired ALL of his books in ebook format, after having lost paperback and hardcover copies over the years. So I was in a unique position to respond to her arguments.

    First, she said the first 100 pages of The Peripheral were unnecessarily dense. My response to that was: no, not really, unless you've forgotten how he *used* to write. Because this is not a new style for him -- it's more a return to form.

    Second, she objected to the fact that under all the scifi trappings, it's "just a murder mystery." Well, you could say any of his previous novels had, "under the trappings," some fairly routine pulp-ish or noir-ish plots. Criminal pulled in/tempted by just "one last job." Corporate espionage and extraction of human workers who represent intellectual capital to these corporations. That kind of thing.

    In my opinion, there are two mysteries in this novel: the murder mystery (which is the obvious mystery) and the underlying, shadow mystery, which is revealed in dribs and drabs until very near the end: the myster of The Jackpot -- what it is, how it happened, who it affected.

    Ironically, the biggest mystery -- communication between people of one near future multiverse, and the people of a far future multiverse -- is simply set up as a given. (If anything in this novel is a deus ex machina, I suppose that is). So the mystery is never explained.

    Third and last, she objected to what she felt was a Disney-ish happy ending. But, I argued, virtually all of Gibson's otherwise highly dystopian visions of the future end similarly: the bad guys don't entirely win, and the good guys don't entirely lose. Which is, I guess, just another way of saying the bad guys kind of lose, and the good guys kind of win. But one senses that the struggle and lives of the characters continue after you finish the book, and nothing feels too deus ex machina (except, in this novel, maybe some of the givens).

    Let me put it this way: If you already know and pretty much love Gibson's previous stuff, I don't think this will disappoint.

    If, however, Gibson's writing (especially the early stuff) put you off, then you'll probably hate this novel, too.

    I loved it. Gibson has always been so expertly, specifically, and hauntingly able to describe the nostalgia of anachronistic characters and to chart the narratives of those people whose changing personal circumstances have left them with uncertain footing in either a not entirely friendly world, or an outright hostile one, as they try to secure some piece of stability and/or security for themselves amid an often constantly changing landscape. He's always written relatable and often quite compelling heroines, the vast majority of whom were not stereotypical scifi babes.

    He has also always extrapolated from current and historical sociopolitical and economical trends -- especially with respect to technological innovation -- to provide a glimpse of the growing, ever-sharpening class divisions that our world has rapidly devolved into. Much of what he presented as mere backstory or incidental detail in his Sprawl trilogy novels (and even in later workrs) has come to pass. He obviously has class politics, and to me, Gibson seems to be one of those ex-working class intellectuals who never lost touch with the fact that -- had he never become successful as a writer -- he'd probably would have worked some kind of blue collar or civil servant/wage slave type job his whole life, because that's what he was headed for.

    So he has remarkable sympathy for those square-peg-round-hole drones who get caught up in things larger than themselves, especially those who've had a taste of "the good life" and then otherwise blew it, lost it, or had it somehow snatched away. Yet he never comes across as overtly or explicity adhering to any 'ism;' he never comes across from that kind of tiresome first-raised pro-blue-collar/almost anti-intellectual pride, either. That's probably because, for many of his protagonists, it's their intellect, their brainy skills, that got them out of whatever backwater, wrong-side-of-town situation they were originally born into.

    The way he writes his dystopian futures -- which are all merely extrapolations of things that are already true now -- "it is what it is." There's no agenda-pushing by Gibson, it's just a very dry recitation of the surrounding details that gradually weave into a whole where you see how the poor get poorer and the rich get richer, and you come to realize that is what we all would observe ourselves about our current world, if we were only paying attention.

    So when one of his underdog protagonists finally achieves some level of security, you feel like it's been really earned... and much of the time, those underdogs are trying to pull another person or two or more up with them, or sometimes, enlighten an entire group even as they merely pursue their own trajectory.

    It's that warmth and strange optimism amid all the doomy gloomy dystopia that has always kind of made Gibson's stuff moody, haunting, and ultimately very fulfilling reading for me.

    These are some of the things I've always really admired about him.
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Top reviews from other countries

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  • Dr. Edu
    5.0 out of 5 stars Me gustó pero...
    Reviewed in Mexico on June 27, 2024
    ... pero no es lo que uno ve en la serie de TV, pese a la publicidad. La versión de TV es una variación muy corta de lo que tiene el libro, pero despeja varias dudas que la serie de TV deja. El estilo de escritura es particularmente... coloquial (lo compré en inglés, versión Kindle y llevada al Kobo... :-) ).
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  • Lintula Hannu
    5.0 out of 5 stars wellwritten scifi drama
    Reviewed in Sweden on November 10, 2022
    Gibson does what he does best and that is high octane cyberadventure that makes the reader enjoy the whole adventure
  • 疾風
    5.0 out of 5 stars 怖い・・・
    Reviewed in Japan on January 30, 2015
    バーチャルの行きつく先は、タイムトラベル?
    誰が味方でだれが敵?
    そもそも、バーチャルじゃないのは誰?
    相変わらずぶっ飛んでる世界観がすごいです。
  • Cliente Amazon
    5.0 out of 5 stars Excelente
    Reviewed in Spain on November 7, 2024
    Um excelente livro do mestre do cyberpunk em formato softcover
  • Kindle Customer
    2.0 out of 5 stars Quality of book. 👎
    Reviewed in Singapore on April 17, 2024
    Haven't start reading. But I received the book with damaged edges and creased corner.
    Seems like it was used or on display.
    Customer image
    Kindle Customer
    2.0 out of 5 stars
    Quality of book. 👎

    Reviewed in Singapore on April 17, 2024
    Haven't start reading. But I received the book with damaged edges and creased corner.
    Seems like it was used or on display.
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